La volta (or volte or volt or, in England, lavolta) was reputedly the favourite dance of Queen Elizabeth I, performed by couples with much leaping, lifting and turning. The dance, a variation of the galliard, was considered scandalous by the moralists of the day. Just as today we hear talk of ‘gateway drugs’ leading to harder and more destructive substances, la volta was considered a ‘gateway dance’, leading to more destructive vices. This article describes the key point of the choreography, discusses the moral opprobium it attracted, and weighs up the evidence for the Queen dancing this “lewd and unchaste dance”.
We begin with a performance of two voltas by The Night Watch.
The early music world has been stunned recently by a controversial new find, a single previously unknown lute duet in poor handwriting. It is the only piece of music in what is otherwise an Elizabethan commonplace or household book consisting mainly of lists of building materials. This article gives a broad outline of what the manuscript tells us about the remarkable Robert Mason, a man ahead of his time. At the foot of the article is a video reconstruction of his only surviving piece of music, a lute duet bearing his name. This is being released a day ahead of my talk to the Association of Professional Renaissance Instrument Luthiers at the Festival Of Organological Lutherie.