passamezzo antico

Greensleeves: Mythology, History and Music. Part 3 of 3: Music

Ian Pittaway baroque, broadside ballads, early music, Greensleeves, lute, lute manuscripts and books, morris dance, passamezzo antico, Playford John, renaissance, romanesca 8 Comments

The remarkable longevity of a 16th century song and tune

Left to right: Adrien le Roy, French lutenist, one composer of passamezzo antico; William Kimber, English morris dancer and concertina player, one player of Bacca Pipes; Ralph Vaughan Williams, composer of Fantasia on Greensleeves; John Coltrane, jazz saxophonist, and Nomansland, trance dance band, both performers of Greensleeves.
Left to right: Adrien le Roy, French lutenist, one composer of a passamezzo antico;
William Kimber, English morris dancer and concertina player, one player of Bacca Pipes;
Ralph Vaughan Williams, composer of Fantasia on Greensleeves;
John Coltrane, jazz saxophonist, and Nomansland, trance dance band, performers of Greensleeves.

Greensleeves has captured the imagination of musicians for well over four centuries, testified by innumerous versions. This, the third of three articles about the mythology, history and music of Greensleeves, gives an audio flavour of the remarkable versatility and vitality of the melody and song, an à la carte menu to choose from. We begin with versions of the passamezzo antico and romanesca which are the foundation of Greensleeves; then advance to the song on period instruments; the Playford dance; two Greensleeves morris dances; the Greensleeves melody as a Christmas song; Ralph Vaughan Williams’ classical version; then a range of more modern interpretations: folk, blues, bluegrass, country, pop, rock, punk, black metal, jazz, flamenco, disco, trance, dubstep, Vietnamese ballet … and the ice cream van tune.

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Greensleeves: Mythology, History and Music. Part 2 of 3: History

Ian Pittaway baroque, broadside ballads, early music, Greensleeves, lute, lute manuscripts and books, Merry Wives of Windsor, morris dance, passamezzo antico, Playford John, renaissance, romanesca, Shakespeare William, Sumer is icumen in 7 Comments

The remarkable longevity of a 16th century song and tune 

Greensleeves is well over four centuries old and is, even now, still going strong. This is a song first published in 1580, its tune used for a wide variety of other 16th and 17th century broadside ballads; used as the basis for virtuoso lute playing; that William Shakespeare used for a sophisticated joke; a tune that John Playford published for dancing to; that morris dancers still jig and kick bottoms to; that has become a Christmas favourite; and that pop singers continue to sing. This is the second of three articles, looking at the song’s mythology, its true history, and video examples of its musical transformations. 

One of the first sources for the tune, in lute tablature as greene sleues in MS. 408/2, an anonymous amateur anthology dated c. 1592–1603.
One of the first sources for the tune, in lute tablature as greene sleues in MS. 408/2, an anonymous amateur anthology dated c. 1592–1603. (As with all images, click for higher resolution.)

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