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alliterative literature
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Angelus ad virginem
Angelus ad virginem: why early music and traditional music share the same gene pool

Agincourt Carol
Taming the Devil’s carol: Ther is no rose of swych vertu … coming soon

animals playing instruments
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Arbeau, Thoinot
The pavan, the priest and the pseudonym: Belle qui tiens ma vie and Arbeau’s Orchésographie (1589)

archlute
The lute: a brief history from the 13^th to the 18^th century
* The evidence for straps used with medieval, renaissance and baroque musical instruments

armed man, The / L’homme armé
L’homme armé / The armed man: the remarkable life of a 15^th century song and its contemporary resonance

art – see iconography

Astripotens famulos (Kind ruler of the stars)
* Polyphonic treasure in Lambeth Palace: three unique pieces from MS 457, c. 1200

Augustine, De Musica
* Mirie it is while sumer ilast: decoding the earliest surviving secular song in English

bagpipe
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians 
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

bandora
* Wired for sound: the bandora and orpharion
* How to play bandora music on the lute ~ or ~ The relationship between the tunings of the lute, bandora, orpharion and penorcon: some practical observations for lute players

baroque guitar – see guitar

baroque lute – see lute

baroque music
Baroque music: a brief tour of the extravagant last period of early music

Belle qui tiens ma vie
The pavan, the priest and the pseudonym: Belle qui tiens ma vie and Arbeau’s Orchésographie (1589)

bells
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Beowulf
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Beverley Minster
* The medieval minstrels of Beverley Minster. Part 1/8: Foundation, destruction, and restoration.
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital.
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls.
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept.
* The medieval minstrels of Beverley Minster. Part 5/8: The “Order of the Ancient Company or Fraternity of Minstralls in Beverley”.
* The medieval minstrels of Beverley Minster. Part 6/8: Medieval beasts and allegories.
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians.
* The medieval minstrels of Beverley Minster. Part 8/8: The strange and continuing history of the minstrels’ neglect.
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Bird on a briar
* Bird on a briar: interpreting medieval notation, with a HIP harp arrangement
* Bird on a briar (bryd one brere): constructing the missing voice

Bob the Builder (spoof article for 1^st April)
NEW DISCOVERY! Rob. mason, builder, his galiard

Boissart mandore – see mandore

Bosch, Jheronimus
* Performable music in medieval and renaissance art
Jheronimus Bosch and the music of hell. Part 1/3: The modern myth of Bosch’s butt music
* Jheronimus Bosch and the music of hell. Part 2/3: The Garden of Earthly Delights
* Jheronimus Bosch and the music of hell. Part 3/3: Music and musicians in the complete works of Bosch
A brief history of farting in early music and literature

bray harp
The bray harp: getting a buzz from early music
One song to the tune of another: early music common practice, 800 years before Humph
Westron wynde: a beautiful fragment of longing
The lute: a brief history from the 13^th to the 18^th century
* How reliable is medieval music iconography? Part 1/3: Understanding medieval art
Taming the Devil’s carol: Ther is no rose of swych vertu (video) … coming soon

bray lute
The lute: a brief history from the 13^th to the 18^th century
* How reliable is medieval music iconography? Part 1/3: Understanding medieval art

Breve regnum erigitur
Early music in fascist fires – or – The extraordinary survival of a Polish early music gem: Breve regnum erigitur … coming soon

Bring us in good ale
One song to the tune of another: early music common practice, 800 years before Humph

broadside ballads
* Tarleton’s Resurrection. Part 3/4: Richard Tarleton the musician and broadside writer
* Tarleton’s Resurrection. Part 4/4: Tributes to Tarleton – with a musical discovery from the 16^th century
Baroque music: a brief tour of the extravagant last period of early music
Calen o Custure me: a Tudor love song with garbled Gaelic?
Greensleeves: Mythology, History and Music. Part 1 of 3: Mythology
Greensleeves: Mythology, History and Music. Part 2 of 3: History
Greensleeves: Mythology, History and Music. Part 3 of 3: Music
One song to the tune of another: early music common practice, 800 years before Humph
Drive the cold Winter away: the meaning of a 17^th century seasonal song

Bryd one brere
* Bird on a briar: interpreting medieval notation, with a HIP harp arrangement
* Bird on a briar (bryd one brere): constructing the missing voice

Calen o Custure me (Cailín ó Chois tSiúre mé, Caleno custure me, Callin o custure me, Callino Casturame, Calmie custure me)
Calen o Custure me: a Tudor love song with garbled Gaelic?

Cantigas de Santa Maria
* “Why do you not praise her?”: the Virgin Mary and the troubadours (Cantigas de Santa Maria article 1/6)
* “I wish from this day forth to be her troubadour”: the composition of the Cantigas de Santa Maria (CSM article 2/6)
* The Virgin’s vengeance and Regina’s rewards: the surprising character of Mary in the Cantigas de Santa Maria (CSM article 3/6)
* The animated chop of meat (and other miraculous marvels): pilgrimage songs in the Cantigas de Santa Maria (CSM article 4/6)
* “Infidels”, “traitors” and “that ugly bearded crew”: fear and loathing in the Cantigas de Santa Maria (CSM article 5/6)
* Surprising songs of sentient statues: the Virgin, Venus, and Jason and the Argonauts (Cantigas de Santa Maria article 6/6) 
* Performing medieval music. Part 1: Instrumentation
* Performing medieval music. Part 2: Turning monophony into polyphony
* Performing medieval music. Part 3: The medieval style

Carols, carolling
Taming the Devil’s carol: Ther is no rose of swych vertu … coming soon

Carter, Sydney  
Songs that grow like trees: an appreciation of Sydney Carter (1915–2004)

cetra
* The citole: from confusion to clarity. Part 1/2: What is a citole?
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture

Chansonnier du Roi
* La prime Estampie Royal: completing the fragment of a medieval melody
* The complete French estampies of c. 1300: music, analysis, performance

chant – see ecclesiastical chant

chant ai entendu
* Mirie it is while sumer ilast: decoding the earliest surviving secular song in English

cithara, kithara
The guitar: a brief history from the renaissance to the modern day
The medieval harp (1/3): origins and development
The medieval harp (2/3): harp symbolism
* The citole: from confusion to clarity. Part 1/2: What is a citole?
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire  
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture 
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique
The vihuela and viola da mano: siblings of the lute
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

citole
* The citole: from confusion to clarity. Part 1/2: What is a citole?
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique 
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
The guitar: a brief history from the renaissance to the modern day
* The mysteries of the medieval fiddle: lifting the veil on the vielle
* The English estampie: interpreting a medieval dance(?) tune – see video
* The evidence for straps used with medieval, renaissance and baroque musical instruments
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)
* How reliable is medieval music iconography? Part 1/3: Understanding medieval art
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography

cittern
* The citole: from confusion to clarity. Part 1/2: What is a citole?
The guitar: a brief history from the renaissance to the modern day
* The evidence for straps used with medieval, renaissance and baroque musical instruments

cláirseach / clársach
The medieval harp (1/3): origins and development

clavicembalum
* The Psilvery Psound of the Psaltery: a brief history
The medieval portative organ: an interview with Cristina Alís Raurich

clavicytherium
The medieval portative organ: an interview with Cristina Alís Raurich

clowns, fools, jesters
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters
* Tarleton’s Resurrection. Part 2/4: Tarleton the player and playwright
* Tarleton’s Resurrection. Part 3/4: Richard Tarleton the musician and broadside writer
* Tarleton’s Resurrection. Part 4/4: Tributes to Tarleton – with a musical discovery from the 16^th century
* Performable music in medieval and renaissance art
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians

coboz, koboz, kobza
* The Elbląg ‘gittern’: a case of mistaken identity. Part 1/2: Why the koboz was misidentified.
* The Elbląg ‘gittern’: a case of mistaken identity. Part 2/2: Identifying the koboz
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians 
* The evidence for straps used with medieval, renaissance and baroque musical instruments

contrafactum (singular) / contrafacta (plural)
One song to the tune of another: early music common practice, 800 years before Humph
* Sumer is icumen in / Perspice Christicola: silencing the cuckoo

cornamuse (wind cap instrument)
The crumhorn: a short history

cornetto, cornet, cornett, zink
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians

Coventry Carol
Coventry Carol: the power of a song

crumhorn
The crumhorn: a short history

cup cymbals
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls

dance
The pavan, the priest and the pseudonym: Belle qui tiens ma vie and Arbeau’s Orchésographie (1589)
Music of the renaissance: a whistle-stop tour
Baroque music: a brief tour of the extravagant last period of early music
* Performing medieval music. Part 3: the medieval style
* The English estampie: interpreting a medieval dance(?) tune
The first dancing master’s manual: Domenico da Piacenza and the art of dance
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire

de Machaut, Guillaume – see Guillaume de Machaut

Deo gracias anglica
Taming the Devil’s carol: Ther is no rose of swych vertu … coming soon

Doll thi ale
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Domenico da Piacenza
The first dancing master’s manual: Domenico da Piacenza and the art of dance

Dowland, John
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters
* Tarleton’s Resurrection. Part 4/4: Tributes to Tarleton – with a musical discovery from the 16^th century
The lute: a brief history from the 13^th to the 18^th century
The scandalous la volta: “such a lewd and unchaste dance”
Music of the renaissance: a whistle-stop tour
Greensleeves: Mythology, History and Music. Part 1 of 3: Mythology

drama, historical
In defence of the unhistorical drama

Drive the cold Winter away
Drive the cold Winter away: the meaning of a 17^th century seasonal song

dulcimer, hammer(ed)
* The Psilvery Psound of the Psaltery: a brief history

early music and folk/traditional music – see traditional/folk music and early music

ecclesiastical chant
Rediscovering the vitality of medieval chant: an interview with Bruno de Labriolle

Edi beo þu heuene quene
Edi beo þu heuene quene: a love song by any name
* “Why do you not praise her?”: the Virgin Mary and the troubadours (Cantigas de Santa Maria article 1/6)
* Performing medieval music. Part 2: Turning monophony into polyphony
* Bird on a briar (bryd one brere): constructing the missing voice
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire

estampie
* The English estampie: interpreting a medieval dance(?) tune
* Kalenda maya, the troubadours, and the lessons of traditional music
* La prime Estampie Royal: completing the fragment of a medieval melody
The medieval harp (1/3): origins and development (video)
The medieval harp (2/3): harp symbolism (video)
* The medieval harp (3/3): performance practice (video)
* How reliable is medieval music iconography? Part 3/3: Making the Martini gittern (video)
* The complete French estampies of c. 1300: music, analysis, performance 
* What is an estampie? Historical evidence, modern myths … coming soon 

Falsobordone (early music duo)
Music for a plague: an interview with Falsobordone

farting
A brief history of farting in early music and literature

fiddle, medieval
* On the medieval fiddle: a short introduction to the vielle
* The mysteries of the medieval fiddle: lifting the veil on the vielle
* Performing medieval music. Part 2: Turning monophony into polyphony
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography

films, historical
In defence of the unhistorical drama

foliate heads
* The medieval minstrels of Beverley Minster. Part 6/8: Medieval beasts and allegories.

folk/traditional music and early music – see traditional/folk music and early music

fools, jesters, clowns
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters
* Tarleton’s Resurrection. Part 2/4: Tarleton the player and playwright
* Tarleton’s Resurrection. Part 3/4: Richard Tarleton the musician and broadside writer
* Tarleton’s Resurrection. Part 4/4: Tributes to Tarleton – with a musical discovery from the 16th century
* Performable music in medieval and renaissance art
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians

Foweles in þe frith
* Foweles in þe frith (birds in the wood): mystery and beauty in a 13^th century song
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Francesco Canova da Milano
The lute: a brief history from the 13^th to the 18^th century
The medieval harp (2/3): harp symbolism
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique
The vihuela and viola da mano: siblings of the lute

gemshorn
The gemshorn: a (necessarily) short history

gittern
* The gittern: a short history
* La prime Estampie Royal: completing the fragment of a medieval melody – see video
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture 
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique 
* The Elbląg ‘gittern’: a case of mistaken identity. Part 1/2: Why the koboz was misidentified
* The Elbląg ‘gittern’: a case of mistaken identity. Part 2/2: Identifying the koboz
* Performing medieval music. Part 2: Turning monophony into polyphony
The guitar: a brief history from the renaissance to the modern day
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The evidence for straps used with medieval, renaissance and baroque musical instruments
* How reliable is medieval music iconography? Part 1/3: Understanding medieval art
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography
* How reliable is medieval music iconography? Part 3/3: Making the Martini gittern

goliards
One song to the tune of another: early music common practice, 800 years before Humph

green man
* The medieval minstrels of Beverley Minster. Part 6/8: Medieval beasts and allegories.

Greensleeves   
Greensleeves: Mythology, History and Music. Part 1 of 3: Mythology
Greensleeves: Mythology, History and Music. Part 2 of 3: History
Greensleeves: Mythology, History and Music. Part 3 of 3: Music

Gregorian chant – see ecclesiastical chant

Guillaume de Machaut
* The English estampie: interpreting a medieval dance(?) tune
* La prime Estampie Royal: completing the fragment of a medieval melody
Music for a plague: an interview with Falsobordone

guitar
The guitar: a brief history from the renaissance to the modern day
* The evidence for straps used with medieval, renaissance and baroque musical instruments

hammer dulcimer
* The Psilvery Psound of the Psaltery: a brief history

harp
The bray harp: getting a buzz from early music
* Bird on a briar: interpreting medieval notation, with a HIP harp arrangement
* Mirie it is while sumer ilast: decoding the earliest surviving secular song in English
The medieval harp (1/3): origins and development
The medieval harp (2/3): harp symbolism
* The medieval harp (3/3): performance practice
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians
* The evidence for straps used with medieval, renaissance and baroque musical instruments
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography

harpsichord
* The Psilvery Psound of the Psaltery: a brief history
The medieval portative organ: an interview with Cristina Alís Raurich

historical drama
In defence of the unhistorical drama

historically informed performance (HIP)
* Performing medieval music. Part 1: Instrumentation
* Performing medieval music. Part 2: Turning monophony into polyphony
* Performing medieval music. Part 3: The medieval style
* Mirie it is while sumer ilast: decoding the earliest surviving secular song in English
Music for a plague: an interview with Falsobordone
* La prime Estampie Royal: completing the fragment of a medieval melody
* The medieval harp (3/3): performance practice
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire
* Polyphonic treasure in Lambeth Palace: three unique pieces from MS 457, c. 1200 
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique
Rediscovering the vitality of medieval chant: an interview with Bruno de Labriolle 
* The complete French estampies of c. 1300: music, analysis, performance 

horn
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

hurdy gurdy (vielle à roue)
* The medieval organistrum or symphonie: a short history of the early vielle à roue or hurdy gurdy … coming soon
* The medieval harp (3/3): performance practice
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls

iconography
* Performable music in medieval and renaissance art
Jheronimus Bosch and the music of hell. Part 1/3: The modern myth of Bosch’s butt music
* Jheronimus Bosch and the music of hell. Part 2/3: The Garden of Earthly Delights
* Jheronimus Bosch and the music of hell. Part 3/3: Music and musicians in the complete works of Bosch
* The medieval minstrels of Beverley Minster. Part 1/8: Foundation, destruction, and restoration.
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital. 
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls.
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept.  
* The medieval minstrels of Beverley Minster. Part 6/8: Medieval beasts and allegories. 
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians.
* The evidence for straps used with medieval, renaissance and baroque musical instruments.
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)
MIMFABB: Musical Iconography in Medieval French and British Buildings by Laurence Wright
* How reliable is medieval music iconography? Part 1/3: Understanding medieval art
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography
* How reliable is medieval music iconography? Part 3/3: Making the Martini gittern

In dulci jubilo
Nails, needles, chains and angels: the pain and joy of In dulci jubilo

instrument straps
* The evidence for straps used with medieval, renaissance and baroque musical instruments

istanpitta – see estampie

jesters, fools, clowns
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters
* Tarleton’s Resurrection. Part 2/4: Tarleton the player and playwright
* Tarleton’s Resurrection. Part 3/4: Richard Tarleton the musician and broadside writer
* Tarleton’s Resurrection. Part 4/4: Tributes to Tarleton – with a musical discovery from the 16^th century
* Performable music in medieval and renaissance art
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians

jongleurs – see minstrels 

Kalenda maya
* Kalenda maya, the troubadours, and the lessons of traditional music

kithara, cithara
The guitar: a brief history from the renaissance to the modern day
The medieval harp (1/3): origins and development 
The medieval harp (2/3): harp symbolism
* The citole: from confusion to clarity. Part 1/2: What is a citole?
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire  
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture 
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique
The vihuela and viola da mano: siblings of the lute
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

koboz, kobza, coboz
* The Elbląg ‘gittern’: a case of mistaken identity. Part 1/2: Why the koboz was misidentified
* The Elbląg ‘gittern’: a case of mistaken identity. Part 2/2: Identifying the koboz
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians
* The evidence for straps used with medieval, renaissance and baroque musical instruments
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography

Labriolle, Bruno de
Rediscovering the vitality of medieval chant: an interview with Bruno de Labriolle

Lambeth Palace Library MS 457
* Polyphonic treasure in Lambeth Palace: three unique pieces from MS 457, c. 1200

Latin guitar
The guitar: a brief history from the renaissance to the modern day

Letabundus exultet fidelis chorus
Taming the Devil’s carol: Ther is no rose of swych vertu … coming soon

L’homme armé / The armed man
L’homme armé / The armed man: the remarkable life of a 15^th century song and its contemporary resonance

Lully, lulla, thow littell tiné child
Coventry Carol: the power of a song

lute
The lute: a brief history from the 13^th to the 18^th century
* Performable music in medieval and renaissance art
The medieval harp (2/3): harp symbolism
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture 
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique
The vihuela and viola da mano: siblings of the lute
* The evidence for straps used with medieval, renaissance and baroque musical instruments
* How reliable is medieval music iconography? Part 1/3: Understanding medieval art
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography
* How to play bandora music on the lute ~ or ~ The relationship between the tunings of the lute, bandora, orpharion and penorcon: some practical observations for lute players

Lyke-Wake Dirge
The Lyke-Wake Dirge: the revival of an Elizabethan song of the afterlife

lyre
The medieval harp (1/3): origins and development
The medieval harp (2/3): harp symbolism
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture

Machaut, Guillaume de – see Guillaume de Machaut

Magno gaudens
Boy bishops, role reversals, and a rare 13^th century song: Magno gaudens … coming soon

mandore    
The beautiful Boissart mandore, part 1 of 3: The pre-history of the mandore
* The beautiful Boissart mandore, part 2 of 3: Obervations on the Boissart mandore
The beautiful Boissart mandore, part 3 of 3: Creating a new mandore inspired by the ‘Boissart’ design

Manuscrit du Roi
* La prime Estampie Royal: completing the fragment of a medieval melody
* The complete French estampies of c. 1300: music, analysis, performance 

Mater dei (Mother of God)
* Polyphonic treasure in Lambeth Palace: three unique pieces from MS 457, c. 1200

Me lykyþ ever þe lenger þe bet
“Wyngestyr that joly syte”: a 15^th century song in praise of Winchester … coming soon

medieval fiddle – see vielle

medieval harp – see harp

medieval lute – see lute

medieval music
Medieval music: a quick guide to the middle ages
* Performing medieval music. Part 1: Instrumentation
* Performing medieval music. Part 2: Turning monophony into polyphony
* Performing medieval music. Part 3: The medieval style
* Performable music in medieval and renaissance art
* “the verray develes officeres”: minstrels and the medieval church

medieval music notation, theory, modes
* Bird on a briar: interpreting medieval notation, with a HIP harp arrangement
* Bird on a briar: constructing the missing voice
* Mirie it is while sumer ilast: decoding the earliest surviving secular song in English
* The mysteries of the medieval fiddle: lifting the veil on the vielle
* The English estampie: interpreting a medieval dance(?) tune
* Kalenda maya, the troubadours, and the lessons of traditional music
* Performing medieval music. Part 1: Instrumentation
* Performing medieval music. Part 2: Turning monophony into polyphony
* Performing medieval music. Part 3: The medieval style
* Foweles in þe frith (birds in the wood): mystery and beauty in a 13^th century song
Jheronimus Bosch and the music of hell. Part 1/3: The modern myth of Bosch’s butt music

medley (ballad genre)
* Tarleton’s Resurrection. Part 3/4: Richard Tarleton the musician and broadside writer

minstrels
* Jheronimus Bosch and the music of hell. Part 2/3: The Garden of Earthly Delights
* Jheronimus Bosch and the music of hell. Part 3/3: Music and musicians in the complete works of Bosch
* “the verray develes officeres”: minstrels and the medieval church
* The medieval harp (3/3): performance practice 
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire
* The medieval minstrels of Beverley Minster. Part 1/8: Foundation, destruction, and restoration.
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital.
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls.
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept.
* The medieval minstrels of Beverley Minster. Part 5/8: The “Order of the Ancient Company or Fraternity of Minstralls in Beverley”.
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians.
* The medieval minstrels of Beverley Minster. Part 8/8: The strange and continuing history of the minstrels’ neglect.
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)
Attitudes to minstrels and musical instruments in Old French narrative poetry, 1100-1400, PhD thesis by Laurence Wright (scroll 2/3 way down page for access)

miracle plays – see mystery plays and miracle plays

Mirie it is while sumer ilast
* Mirie it is while sumer ilast: decoding the earliest surviving secular song in English

Miro genere (By a wondrous birth)
* Polyphonic treasure in Lambeth Palace: three unique pieces from MS 457, c. 1200

misericords
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians.
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters

modes – see medieval music notation, theory, modes

Moorish guitar
The guitar: a brief history from the renaissance to the modern day

morris dancing
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters

movies, historical
In defence of the unhistorical drama

Mult s’asprisme li termines
* Mirie it is while sumer ilast: decoding the earliest surviving secular song in English

musical animals – see animals playing instruments

musical instrument straps
* The evidence for straps used with medieval, renaissance and baroque musical instruments

mystery plays and miracle plays
Coventry Carol: the power of a song
* The medieval minstrels of Beverley Minster. Part 5/8: The “Order of the Ancient Company or Fraternity of Minstralls in Beverley”
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

nakers 
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept
* The evidence for straps used with medieval, renaissance and baroque musical instruments

Narváez, Luys de
The vihuela and viola da mano: siblings of the lute

neumes – see medieval music notation, theory, modes

Notre Dame school
* Polyphonic treasure in Lambeth Palace: three unique pieces from MS 457, c. 1200
“the verray develes officeres”: minstrels and the medieval church
* Foweles in þe frith (birds in the wood): mystery and beauty in a 13th century song
* Performing medieval music. Part 2/3: Turning monophony into polyphony
* Kalenda maya, the troubadours, and the lessons of traditional music
Rediscovering the vitality of medieval chant: an interview with Bruno de Labriolle

oliphant, olifant, olyphant
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept

Orchésographie
The pavan, the priest and the pseudonym: Belle qui tiens ma vie and Arbeau’s Orchésographie (1589)

organ
See portative organ or positive organ.

organistrum, simfonia, sinfonye, symphonie
* The medieval organistrum or symphonie: a short history of the early vielle à roue or hurdy gurdy … coming soon
* The medieval harp (3/3): performance practice
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The evidence for straps used with medieval, renaissance and baroque musical instruments

orpharion
* Wired for sound: the bandora and orpharion
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters
* How to play bandora music on the lute ~ or ~ The relationship between the tunings of the lute, bandora, orpharion and penorcon: some practical observations for lute players

oud
The oud: a short guide to a long history
The lute: a brief history from the 13^th to the 18^th century

penorcon
* Wired for sound: the bandora and orpharion
* How to play bandora music on the lute ~ or ~ The relationship between the tunings of the lute, bandora, orpharion and penorcon: some practical observations for lute players

percussion – see bells, cup cymbals, nakers, pipe and tabor, timbrel

Pérès, Marcel
Rediscovering the vitality of medieval chant: an interview with Bruno de Labriolle 

Perspice Christicola
* Sumer is icumen in / Perspice Christicola: silencing the cuckoo

Petrarch, Francesco
Medieval music: a quick guide to the middle ages
Music for a plague: an interview with Falsobordone

Piers Plowman
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

pipe and tabor
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters
* Tarleton’s Resurrection. Part 3/4: Richard Tarleton the musician and broadside writer
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 7/8: Tudor misericords and neo-Gothic musicians
* The evidence for straps used with medieval, renaissance and baroque musical instruments
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

plectrums
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography

polyphony
* Performing medieval music. Part 2: Turning monophony into polyphony
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire
* Polyphonic treasure in Lambeth Palace: three unique pieces from MS 457, c. 1200
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique

portative organ
The medieval portative organ: an interview with Cristina Alís Raurich
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept
* The evidence for straps used with medieval, renaissance and baroque musical instruments

positive organ
The medieval portative organ: an interview with Cristina Alís Raurich

psaltery
* The Psilvery Psound of the Psaltery: a brief history
* Medieval plectrums: the written, iconographical and material evidence. Part 1/2: Medieval plectrum materials and manufacture 
* Medieval plectrums: the written, iconographical and material evidence. Part 2/2: Medieval and early renaissance plectrum technique
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept
* The evidence for straps used with medieval, renaissance and baroque musical instruments
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

rebec
The rebec: a short history from court to street
* The mysteries of the medieval fiddle: lifting the veil on the vielle

renaissance dance
The pavan, the priest and the pseudonym: Belle qui tiens ma vie and Arbeau’s Orchésographie (1589)
Music of the renaissance: a whistle-stop tour

renaissance music
Music of the renaissance: a whistle-stop tour

renaissance guitar – see guitar

renaissance lute – see lute

rota (rote, rotta, rothe)
The medieval harp (1/3): origins and development
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography

Saint Mary’s Church, Cogges
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Salutation carol
One song to the tune of another: early music common practice, 800 years before Humph

Shakespeare, William
Playing Shakespeare: the music of the Bard
The song Shakespeare stole from: a discovery from the 16^th century (spoof article for 1^st April)
Calen o Custure me: a Tudor love song with garbled Gaelic?
In defence of the unhistorical drama
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters
* Tarleton’s Resurrection. Part 2/4: Tarleton the player and playwright
* Tarleton’s Resurrection. Part 4/4: Tributes to Tarleton – with a musical discovery from the 16^th century

shawm
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital

simfonia, sinfonye, symphonie, organistrum 
* The medieval organistrum or symphonie: a short history of the early vielle à roue or hurdy gurdy … coming soon
* The medieval harp (3/3): performance practice
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The evidence for straps used with medieval, renaissance and baroque musical instruments

Sir Gawain and the Green Knight
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)

Solesmes Abbey
Rediscovering the vitality of medieval chant: an interview with Bruno de Labriolle

spinet
* The Psilvery Psound of the Psaltery: a brief history

Stella splendens
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire

straps
* The evidence for straps used with medieval, renaissance and baroque musical instruments

Sumer is icumen in
* Sumer is icumen in / Perspice Christicola: silencing the cuckoo
Medieval music: a quick guide to the middle ages
Greensleeves: Mythology, History and Music. Part 2 of 3: History
One song to the tune of another: early music common practice, 800 years before Humph

simfonia, sinfonye, symphonie, organistrum
* The medieval organistrum or symphonie: a short history of the early vielle à roue or hurdy gurdy … coming soon
* The medieval harp (3/3): performance practice
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The evidence for straps used with medieval, renaissance and baroque musical instruments

Tabourot, Jehan
The pavan, the priest and the pseudonym: Belle qui tiens ma vie and Arbeau’s Orchésographie (1589)

tambourine
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital 
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls

Tarleton / Tarlton, Richard
Tarleton’s Resurrection. Part 1/4: Tarleton’s place in the history of fools, clowns and jesters
* Tarleton’s Resurrection. Part 2/4: Tarleton the player and playwright
* Tarleton’s Resurrection. Part 3/4: Richard Tarleton the musician and broadside writer
* Tarleton’s Resurrection. Part 4/4: Tributes to Tarleton – with a musical discovery from the 16^th century

theorbo
The lute: a brief history from the 13^th to the 18^th century
* The evidence for straps used with medieval, renaissance and baroque musical instruments

Ther is no rose of swych vertu
Taming the Devil’s carol: Ther is no rose of swych vertu … coming soon

timbrel
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls

traditional/folk music and early music
Angelus ad virginem: why early music and traditional music share the same gene pool
* Kalenda maya, the troubadours, and the lessons of traditional music
* Performing medieval music. Part 3: The medieval style
Drive the cold Winter away: the meaning of a 17^th century seasonal song

Trees they do grow high, The
* The trees they do grow high: a ballad of medieval arranged marriage?

Trinity Carol Roll
Taming the Devil’s carol: Ther is no rose of swych vertu … coming soon

troubadours and trouvères
* Kalenda maya, the troubadours, and the lessons of traditional music
* “Why do you not praise her?”: the Virgin Mary and the troubadours (Cantigas de Santa Maria article 1/6)
* “I wish from this day forth to be her troubadour”: the composition of the Cantigas de Santa Maria (CSM article 2/6)
* Bird on a briar: interpreting medieval notation, with a HIP harp arrangement
* The citole: from confusion to clarity. Part 2/2: playing style and repertoire

trumpet
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls

vielle (medieval fiddle)
* On the medieval fiddle: a short introduction to the vielle
* The mysteries of the medieval fiddle: lifting the veil on the vielle
* Performing medieval music. Part 2: Turning monophony into polyphony
* The medieval minstrels of Beverley Minster. Part 2/8: The minstrels of the arcades, triforium and capital
* The medieval minstrels of Beverley Minster. Part 3/8: The minstrels of the west, north and south walls
* The medieval minstrels of Beverley Minster. Part 4/8: The minstrels of the tombs, reredos, Saint Katherine’s chapel, and south transept
* Alliterative animals making medieval music in Saint Mary’s Church, Cogges (14^th century)
* How reliable is medieval music iconography? Part 2/3: 10 principles for interpreting iconography

vielle à roue (hurdy gurdy)
* The medieval organistrum or symphonie: a short history of the early vielle à roue or hurdy gurdy … coming soon

vihuela, vihuela da mano
The vihuela and viola da mano: siblings of the lute

viola da mano
The vihuela and viola da mano: siblings of the lute

viola de arco, viola d’arco
The vihuela and viola da mano: siblings of the lute

virginal
* The Psilvery Psound of the Psaltery: a brief history

volta, la
The scandalous la volta: “such a lewd and unchaste dance”

Westron wynde
Westron wynde: a beautiful fragment of longing

Winchester
“Wyngestyr that joly syte”: a 15^th century song in praise of Winchester … coming soon

zink – see cornetto