La volta (or volte or volt or, in England, lavolta), was reputedly the favourite dance of Queen Elizabeth I, performed by couples with much leaping, lifting and turning. The dance, a variation of the galliard, was considered scandalous by the moralists of the day. Just as today we hear talk of ‘gateway drugs’ leading to harder and more destructive substances, la volta was considered a ‘gateway dance’, leading to more destructive vices. This article describes the key point of the choreography, discusses the moral opprobium it attracted, and weighs up the evidence for the Queen dancing this “lewd and unchaste dance”.
We begin with a performance of two voltas by The Night Watch.
The baroque period was a time of ornate decoration, extravagance and the rise of ever larger ensembles, giving rise to opera and the early orchestra. Dance music was as popular as ever, with the renaissance galliard giving way to the baroque sarabande, chaconne, and bourée. Public dancing was briefly in trouble, banned by the Puritans, during which John Playford started a remarkable series of English dance instruction books which outlived Puritan censoriousness. Singing styles among the cultural elite were florid and declamatory, while broadside ballads for the masses continued to be sung and sold in the streets and at public hangings. And, in private, John Playford and his companions met to sing about farting.
Baroque is the final period of early music (medieval, renaissance, baroque) and this is the last of 3 articles charting them. This article includes 15 illustrative videos for the music of Robert Johnson, John Blow, Tobias Hume, Thomas Arne, John Playford, Claudio Monteverdi, Jean-Baptiste Lully, and Johann Sebastian Bach (click blue links).
The origins of the guitar are much-discussed and much-disputed, and some pretty wild and unsubstantiated claims are made for its heritage, based on vaguely guitary-looking instruments in medieval and even pre-medieval iconography, about which we often know little or nothing beyond an indistinguishable drawing, painting or carving; or based on instruments which have guitary-sounding names. This article is an attempt to slice through the fog with a brief history of the instrument, charting its development from the renaissance, through the baroque to the modern day, based only on what can be claimed with certainty. The article is illustrated with pictures and sound recordings, beginning with a short video of guitar history.